Picking up right where we left off, I had just wrapped up my stay in Patras. The long-awaited day had finally arrived. My ferry was scheduled for 1 PM, so I had time for a slow breakfast before heading down to the port. Boarding the ship to Ithaca, I soon found myself sailing the final leg of my Greek Odyssey.
From Patras to the Ionian
We left Patras behind. The journey was to take around four hours. Whenever I could — and for most of the crossing — I stayed out on the open deck to catch every sight as the sea journey unfolded.
By this point, I was pretty much listening to Symphony X’s “The Odyssey” on loop — my personal anthem for this trip. The cool wind whipped across the deck as the boat sliced through the Ionian Sea. Every time I spotted land on the horizon, I tried to guess which island it belonged to — more often than not, it was Kefalonia.
At one point, as I stood near the railing with my camera in hand, a sudden strong gust tore the lens cap right from my fingers. It vanished instantly — either flung straight into the sea or thrown far back across the ship where I couldn’t go. Damn it, Poseidon, I clenched my fist in abject annoyance. But if this was the price I had to pay to finally go home, then so be it.
Leaving mainland Greece behind
A few hours into the trip, the silhouette of a second, smaller island began to take shape on the horizon. Was it truly? Could it be? Ithaca, at last. In my mind, I imagined the kind of thrill one must feel after years — no, decades — adrift and far from home, finally glimpsing familiar shores again.
First, however, the ferry made its routine stop at the port of Sami on Kefalonia — a small tease before the epic conclusion.
Landfall on Ithaca — First Glimpse of Home
Not long after departing Sami, it was finally time to raise the proverbial sails and charge toward Ithaca. The crossing was straight as an arrow, the ferry ripping across the water with the wind howling in my ears. This was the final crescendo before landfall on the long-imagined homeland.
The final stretch of my journey to Ithaca
And then, just like that, the “song” began to settle as we arrived at Ithaki — Pisaetos. A small, unassuming ferry terminal greeted us: a few low buildings, a modest parking area, quiet and understated. It didn’t matter in the slightest. After the emotional build-up I had carried all this way, I could have landed anywhere and still felt exhilarated.
Arriving at Pisaetos ferry terminal in Ithaca
My hotel in Vathy offered car pickup from Pisaetos, so all I had to do was message them and wait. Within minutes, my driver arrived — a super chill, middle-aged Greek guy with long wavy hair and aviator sunglasses just like mine. If it weren’t for his impressive Super Mario mustache, I might have thought I was looking into a mirror.
We chatted easily about life in Ithaca as he drove us up the rugged southern cliffs. Then, at the very top, came one final bend in the road — and suddenly the island revealed itself in full. A breathtaking paradise: lush valleys unfolding in a sweeping semi-circle down gentle mountain slopes toward the shimmering bay of Vathy. That moment nearly brought tears to my eyes.
Arriving in Vathy
I arrived in Vathy, the main port-town of Ithaca, and from the moment I stepped into its calm harbor light, I felt the weight of homecoming. Vathy is a compact, picturesque town — whitewashed houses with colorful shutters, narrow alleys sloping down to the water, small fishing boats bobbing gently in turquoise coves, and lush hills circling the bay.
My first glimpse of Vathy, Ithaca
I was staying at the cozy Mentor Hotel, right in the town center. My room came with a small balcony that overlooked the bay — an ideal perch to watch the soft changes of light on water, and to breathe in that salty Ionian air as I settled into this new little slice of paradise.
Once I’d dropped my bag and taken a long glance out over the water, I couldn’t wait to stretch my legs and feel the island underfoot.
Sea, Sand & Solitude — Late-Afternoon at Loutsa
After a quick refresh, I set off for Loutsa Beach, about thirty minutes’ walk from my hotel. The path wound out of Vathy, climbing gently through forested coastal hills and offering shimmering glimpses of the Ionian Sea beyond. Near the top, I found an old Venetian cannon, still perched toward the bay — a silent sentry once guarding the narrow strait that leads into Vathy’s harbor, now watching over carefree hikers and daydreamers instead of warships.
Venetian canon — forever defending the entrance to Vathy
Reaching the beach felt like arriving at another world: fine, pale sand, sun umbrellas shading small clusters of sun-seekers, and eucalyptus trees swaying gently in the breeze. The water was warm and welcoming. For the first time in weeks, I had no immediate plans. No rucksack, no ruins, no hurry. I just relaxed and enjoyed the tranquil beach.
The tranquil beach and gentle sea at Loutsa Beach
The golden-light late afternoon, the gentle sea, the slow rhythm of waves… I don’t know if it was my overloaded imagination after all the myth and history, but I truly felt like I belonged. No objectives, no ticking off historic sites — just being. For some reason, it seemed like Ithaca was meant for such moments.
Sunset Stroll & Island Memories
Later, as the sun leaned toward the horizon, I wandered back into town along the bay of Vathy. I read somewhere that the Ionian Islands — including Ithaca — were among the few parts of Greece that never fell under full Ottoman control, instead spending centuries under Venetian or British influence. Perhaps because of that, the old ways, the local customs, and a certain quiet charm feel more preserved here than in many more touristic corners of Greece.
Strolling back to Vathy through the forest path
I found myself thinking back to the conversation with my driver earlier that day. I’d been bubbling with questions about Ithaca and what it must feel like to live on a legendary island like this. He spoke of the quiet, familial rhythm of life here — how locals and visitors alike drift to the same bars at the same hours, seeing the same faces night after night. Conversations start easily, not as strangers, but almost as neighbors.
I dreamt that the next time I returned to Ithaca, it would be by boat
Even for outsiders. Ithaca has a way of folding you into its slow, familiar heartbeat, and I was already feeling it — not even a day in.
The ancient King of Ithaca
As I continued walking, I had one final mission in mind: to find the statue of the legendary hero himself. And soon enough, there it was—the statue of Odysseus, King of Ithaca. Modest in size, yet to me still larger than life.
Nearby, a small group of English-speaking tourists were loudly confessing their ignorance about who the figure was meant to represent. I couldn’t resist politely intervening, offering them a quick rundown of Odysseus—king, wanderer, cunning hero—and a few words on why this little island matters so much. It felt good. It felt right.
Odyssian and Odysseus — Two travelers, one island
As my first day on Ithaca wound down, I felt like I was floating — carried by the sea breeze, the soft unhurried rhythm of the island, and a quiet sense that, for once, I had truly arrived.
Choosing a Direction on a Small, Wild Island
Come morning, map in hand, I realized something important about Ithaca: it may look small on a screen, but it does not unfold small under your feet. The island’s strange, broken shape hides steep hills, long distances, and very little in the way of convenient public transport. The western side, pinched off by a narrow strip of land, rises sharply into rugged, serious terrain—beautiful, but no casual stroll. A full crossing there and back would have been ambitious even for me.
The winding paths up the hills of Ithaca
So I chose to stay on my side of the island—the east—and roam southward at my own pace, letting the day decide the details. Somewhere along that stretch waited one of Ithaca’s eastern beaches. Whether it was Talaros, or Kaminia beach, I’m not entirely sure anymore.
Above Vathy, Between Sky and Stone
Climbing the hills behind Vathy was quite rewarding. From above, the town hugged the curve of the small gulf, spreading only sparsely inland, cradled by tall, rolling, lush hills. The calm sea stretched outward in layered blues, and in the hazy distance, Ithaca was framed by faint islands resting on the horizon. One of those “stop walking, just stand there” views.
Panoramic view of Vathy and the bay from the top of the hill
Nearly every path climbs, dips, and climbs again. Somewhere along the way—either going up through Perachori or passing back through it later—I wandered through its steep streets: quiet, sun-washed, almost suspended in time. A few locals zipped past on scooters, which felt not just practical, but essential in a place shaped like this. Another sleepy village, another reminder that life here moves without spectacle.
Some of the scattered ruins I came across
Scattered along the route were traces of older lives: fragments of stone walls in the brush, half-swallowed by earth and shrubs. One cluster was clearly the remains of a small church. No signs, no plaques, no tidy explanations. Just stone, silence, and imagination filling in the centuries. Alongside them stood several newer chapels—whitewashed, modest, still breathing with quiet purpose. Old faith and living faith sharing the same paths.
Rock, Shade, and Turquoise Silence
By noon or early afternoon, I finally reached the beach. No sand this time—just pale rocks and worn stone sloping into impossibly clear turquoise water. By the time I arrived, the sun had slipped behind the tall cliffs at my back, leaving the entire cove in cool shade. The water still glowed.
Arriving at either Talaros, or Kaminia beach—I can’t recall which one this was
I didn’t swim. It felt too rugged, too sharp for that. Instead, I stayed with the theme that Ithaca had gently imposed on me: no objectives, no milestones—just sitting, looking, breathing. Letting the scenery do the work. It was enough.
The typical rocky beaches of Greece
Later in the afternoon, I turned back toward Vathy, retracing the hills for another hour or two—time loosens its grip out there. By evening, I was back where I had started, carrying that pleasant, full-body tiredness that only long walks earn you.
My final dinner on Ithaca deserved its own quiet ceremony: swordfish, perfectly cooked, a glass of crisp white wine, and the slow burn of sunset spilling across the bay. The water caught fire in golds and soft reds, boats drifting like commas in a sentence that didn’t want to end.
Final sunset dinner in Ithaca—waiting for the swordfish to jump into my plate
I already knew—I felt it in the way I lingered over every bite—that this was goodbye. My last night on the island. And even now, writing this, I feel that same gentle ache in my chest. Not sadness exactly. More like gratitude stretched just far enough to hurt.
From Ithaca to Kefalonia
Before leaving Ithaca, I treated myself to one final stroll around Vathy. The ferry to Kefalonia wasn’t until around noon, and the hotel driver would take me to the port, so there was no rush.
I wandered through the narrow streets, pausing at small shops and cafes, imagining what it might be like to retire here one day — to simply live in rhythm with the gentle pace of the island, with the bay and hills outside your window every morning. A new dream added to the file.
A miniature trireme riding painted waves on solid ground – some boats prefer pavement to the Ionian Sea
By noon, I boarded the ferry bound for Kefalonia, likely docking at Sami. From there, I caught a KTEL bus to Spartia — a journey of over four hours, giving me plenty of time to reflect on the fragmented patchwork of memories and photos that make up this trip. Arriving late afternoon, golden hour was already painting the village in soft warm light.
Arriving in the small village of Spartia in Kefalonia
In Spartia, I checked into an Airbnb apartment, my fourth style of accommodation in Greece — after hostels, camping, and hotels, now a small, cozy flat. I half-joked to myself that I was living like a professional travel reviewer: rating, reviewing, and documenting everything with meticulous care each night.
Dinner at Cavo Liakas
That evening, I found the village’s lone open restaurant, Cavo Liakas — a small, family-run patio place. The food here was a revelation. Generous portions, expertly prepared, affordable, and utterly delicious.
I discovered two new favorite dishes: feta me meli, a phyllo-wrapped baked feta with honey, and lamb kleftiko, slow-roasted lamb with vegetables, cooked in parchment paper. These meals legitimately made me pause, fork in hand, and sigh in sheer appreciation.
A Godly meal at Cavo Liakas: feta me meli and lamb kleftico
Greece continued to surprise me, even after Ithaca.
Spartia Beach
The following morning I picked out the nearest beach with a high rating on google and went for it. Thus far, I had visited a couple of beaches here and there, like the two on Ithaca and the one in Kira, but most of these were small, rocky, and I was just passing by. This time, I decided to dedicate a full day to a proper sandy beach.
Spartia Beach — the best sandy-beach I’ve seen in Greece
Spartia Beach didn’t disappoint: fine sand stretching out for hundreds of meters below the eroding cliffs, a real contrast to the rocky stretches I had endured before. Everywhere I looked, seashells were embedded in the limestone cliffs, a tangible reminder that this entire land had once rested beneath the sea before tectonic uplift transformed it into the islands I now explored.
Shells of all shapes and sizes in the eroding rocks of the old sea bed
Even with a few families and small groups dotting the sand, Spartia Beach never felt crowded. The people there moved with the same unhurried rhythm as the island itself: some reading under umbrellas, a few wading in the shallow turquoise water, others collecting shells along the shoreline.
A Day of Sea and Sun
I found a quiet spot and settled in, letting the warm sun and gentle sound of the waves sink in. Between the limestone cliffs, the glint of seashells, and the calm Ionian waters, the beach became a perfect blend of nature, history, and human rhythm — the ideal setting to just be, to do nothing but soak in the day.
Spartia beach from on top of the cliffs
The water itself was pure delight: warm, clean, and only occasionally tangled with a stray bit of algae. I alternated between long dips in the turquoise Ionian Sea and lying on the soft sand, slowly evening out the tan lines from days of hiking under the Greek sun. In the hotter hours, I’d retreat to the shade of the cliffs, only to return to the water as soon as the sun eased. For a few hours, I felt like a child again, fully immersed in the simple joys of sun, sea, and sand.
The Greek Orthodox Church in Spartia
Late afternoon, as the sun softened over the village, I returned for another memorable dinner at Cavo Liakas. The smiling host highlighted the day’s fresh catch — today it was bass — and I indulged, accompanied by crisp roasted zucchini as an appetizer. Simple, fresh, and gloriously Mediterranean, it was the perfect ending to a day devoted entirely to enjoyment and rest.
The Castle of Kefalonia
For my final in Spartia, I decided it was time for one last proper trek. My goal was the Castle of Agios Georgios, standing roughly an hour and a half away on foot.
The route led me along quiet countryside roads, the kind traced only by the occasional car and the slow passage of locals going about their day. For a long while, the scenery unfolded as wide open farmland with distant mountains sitting low on the horizon. Pleasant, but subdued. It wasn’t until I neared the village of Peratata that the views truly began to open up.
Castle of Agios Georgios view from the village of Peratata
Perched high above the lush Livathos valley, the Castle of St. George crowns a 320-meter hill in southern Kefalonia. From below it already looked imposing, but once inside the walls, the scale of the place really set in.
This was no lonely watchtower — it had once been a full-fledged fortified town. From the ramparts, the view stretched in every direction: over rolling olive groves, toward the endless blue of the Ionian Sea, and across to the distant bays of Lourdas and Trapezaki. A clean, sweeping 360° panorama that made the climb instantly worthwhile.
Old Stones and Epic Views
The heart of the fortress still bears the elegant stamp of its Venetian rulers. Above the main entrance, the ornate Venetian pediment remains proudly intact, even if the heavy wooden doors beneath it are now held together with modern supports.
The grand (and slightly patched-up) Venetian gateway into Kefalonia’s medieval past
The site itself traces back to the 12th century under the Byzantines, but it was the Venetians who transformed it after 1500 into the island’s capital — a self-contained city with mansions, cisterns, prisons, and even legend of a secret tunnel leading down to the sea. At its height, some 15,000 people once lived within these walls.
Looking out over the castle’s weathered walls: a sea of green rolling hills and the distant peaks of Kefalonia under an endless blue sky
The castle remained the island’s administrative and political center until 1757, when the Venetians relocated the capital to Argostoli to boost trade, leading to its gradual abandonment. Wandering along the uneven cobblestone paths between crumbling bastions, I once again found those familiar silhouettes of Venetian cannons — rusted, silent, but still defiantly aimed over the valley as if guarding a long-forgotten frontier.
A lone Venetian cannon still guarding the endless Ionian views
The site suffered further damage from wars, occupations (including French), and the devastating 1953 earthquake, which destroyed much of the island.
Quiet, Untouristy, Perfect
High on the fortress walls, a tattered Greek flag snapped in the wind against the rugged outline of Mount Ainos, Kefalonia’s highest peak. Below it, the simple stone façade of the old Catholic church of Agios Nikolaos stood in quiet contrast, its weathered sundial and arched doorway catching the light.
The weathered Catholic church of Agios Nikolaos inside the castle walls – sundial, stonework and all
What struck me most, though, was how wonderfully untouristy the place felt. The entrance fee was modest — under five euros if memory serves — and for views like these, it felt almost symbolic.
A truly unforgettable journey was coming to a close
Leaning over the fortress walls, the warm wind rising from the valley below, I couldn’t help but think how fitting this moment was. Standing atop ancient stone, overlooking sea and mountains alike, it felt like a proper, epic punctuation mark at the end of a journey rooted in legends.
Echoes of the Bronze Age
As I left the castle behind, I took a small detour on my way back to Spartia to visit another historical landmark I had spotted on Google Maps: the Mycenaean Necropolis of Mazarakata, the largest and most important Mycenaean cemetery in the Ionian Islands.
Stepping back 3,400 years through the doorways of Mycenaean chamber tombs at Mazarakata
Dating to the Late Bronze Age, roughly 1400–1100 BC, this site belongs to the same dramatic era as the palaces of Mycenae and even the legendary Trojan War. This was the time of the Odyssey — my ancient times. The site was free to enter and wrapped in a deep, unbroken calm. If the castle had been untouristy, this place felt almost completely off the radar, which only made it more special.
An entire Mycenaean city of the dead
The necropolis consists of seventeen rock-cut chamber tombs carved into a gentle hillside and arranged in three separate clusters. These were family vaults, used over generations, with some tombs containing up to thirty burials. Standing there among those silent stone chambers was yet another reminder of just how densely layered Greece truly is. Even in what feels like a quiet, rural corner of Kefalonia, you can still stumble upon traces of lives lived over three thousand years ago.
The ancient dromos (passageway) into a silent Mycenaean family vault
As a small side note, my review of this site ended up becoming my most viewed one on Google — probably helped by the low number of reviews at the time, which pushed mine right to the top. Every now and then I still get an email saying how many people saw it, and it always makes me smile, knowing that this tiny, peaceful place continues to ripple quietly through other travelers’ journeys.
Argostoli — Wandering Between Departures
On my day of departure, I had a late-night flight from Kefalonia to Athens, followed by an early-morning connection out. There was no rush to the airport just yet, so I took a morning bus from Spartia to Argostoli to spend my final hours roaming the island’s capital one last time.
Walking along the promenade in Argostoli
Even though Argostoli is the beating heart of Kefalonia, it never felt overwhelming. Within minutes I had walked along the northern promenade by the shore, watching boats idle in the harbor and the town ease into its daily rhythm. As the day warmed up, I drifted toward the park and spent a few slow, quiet hours migrating from bench to bench, updating my mom on everything I had seen and felt over the past days. It was one of those soft pauses in travel where nothing spectacular happens. An epilogue to the story I guess.
Victorian-era bandstand in Napier Park, Argostoli
When hunger finally set in, I picked a small, family-run taverna near the port and ordered a spread that felt like a farewell feast to Greek home cooking. There was gemista — stuffed tomatoes heavy with rice, herbs, and a hint of sweetness — imam baildi with its glossy, olive-oil-soaked aubergines, and a generous plate of horta, simple wild greens dressed with lemon and olive oil. Nothing fancy. Just honest, comforting food. Exactly what I wanted on my last afternoon.
Walking the Long Goodbye
By mid-afternoon, I had completely run out of plans. Even though I had loved my days in Kefalonia, I’d already been saying my internal goodbyes to Greece ever since Ithaca. I still had hours to fill, but no more destinations to chase.
So I did what I had done best for two weeks straight — I walked. This time slowly. Toward the airport. Letting memory after memory drift by with every step: Athens, Delphi, Patras, Ithaca, Spartia. The excitement had softened into something heavier now — not sadness exactly, but that gentle ache that comes when an adventure is truly ending.
Makris Gialos Beach with daily flight’s overhead
At some point along the way, it hit me that if I still had time, I might as well spend it properly. The road toward the airport followed the southern coast of Kefalonia, and just like that, Makris Gialos Beach presented itself as my final refuge. Big rucksack and all, I settled into the sand and watched the waves roll in under the golden evening light, planes carving quiet arcs overhead as they came in to land. It felt like the island itself was escorting me to the end.
Full Circle
A few hours and one short flight later, I was back in Athens, spending the night once again on an airport floor — just as I had before this entire journey began. Only this time, the conditions were far kinder. Athens Airport, with its dark corners and surprising pockets of quiet, earned a quiet victory over Geneva in my internal ranking of places one can actually sleep.
A pleasant overnight snooze awaited in a dim-lit corner of the Museum Section in Athens Airport
And just like that, the circle closed.
Greece had delivered everything I had hoped for — and more. This truly was my personal Odyssey. One I know I’ll carry with me for the rest of my life. Somewhere between myth and memory, sun and stone, sea and ruin, Greece had become more than a destination. It had become a distant, familiar home in my heart.
My Odyssey in the Mountains began after three full days in Athens, when my journey carried me northwest toward the ancient sanctuary of Delphi. For any traveler drawn to the spirit of classical Greece, Delphi is almost a pilgrimage. Delphi was once revered as the navel of the world, where seekers came to receive the oracle’s cryptic guidance before facing the unknown. Following the old paths through the rising slopes of Mount Parnassus and down toward the Gulf of Corinth, I set out to trace a small part of that ancient landscape myself.
The rugged mountains unfortunately did not offer any respite from the heat
It was an Odyssey in the Mountains shaped by history, mythology, and a fair bit of summer heat—an experience that unfolded slowly, step by step, as I left the city behind.
But first, I had to reach and board a bus in Athens…
From Athens to Delphi
The KTEL bus terminal was about an hour’s walk from my hostel, and with my departure set around noon, I had the entire morning to burn. So I did what I always do in these moments: I walked. No rush, no plan—just letting the city reveal itself one last time before I traded the concrete sprawl for mountains and myth. It felt good to wander through the lived-in streets of Athens once more, soaking up that final dose of frantic capital energy. Still, part of me was already leaning toward the other side of the journey, eager for the slower rhythm of the Greek countryside.
The cats are back!
At the terminal, finding the right bus turned out to be surprisingly easy thanks to the drivers—every single one of whom seemed to speak enough English to cut through any confusion. Within minutes, I’d settled into my seat, ready for the three-hour ride northwest.
The journey out of Athens slipped by with Greek-vibe music in my earphones, matching the unfolding landscape outside the window. Between glances at the passing hills, I went down a rabbit hole of ancient myths and stories on the internet—because what else does one do on the way to Delphi, the legendary source of prophecy?
Myth and Reality
Somewhere between Athens and the mountains, the sense of adventure really hit me. I started chasing increasingly bizarre theories online, trying to see what scholars, dreamers, and conspiracy-enthusiasts had cooked up about The Odyssey. And then I found it: a delightfully unhinged theory proposing that Odysseus didn’t merely wander the Mediterranean for twenty years, but had actually circled the entire world. The author had charts, maps, astronomical guesses, linguistic acrobatics—everything but a sworn affidavit from Homer himself.
Cruising through the gorgeous Greek countryside
Ridiculous? Absolutely. Entertaining? Extremely. And for anyone curious about the sort of thinking that fuels these ideas, it was likely a twist on Enrico Mattievich’s Journey to the Mythological Inferno (2010)—a book that attempts to reframe Greek myth through far-flung global explorations. Whether brilliant or bonkers depends on your tolerance for speculative archaeology.
For a good hour or two I let myself fall into the “what ifs,” imagining Odysseus navigating oceans far beyond the known world, his legend stretching continents.
My first glimpse of the Gulf of Corinth in the distance
And somewhere in that swirl of mountains, myths, music, and madness, I realized just how ready I was for Delphi.
Arriving in Delphi
The bus dropped me off in the modern town of Delphi in the afternoon, and from there I made my way toward the campground I’d booked—a bit of a walk outside of town. When I checked the map, I realized it was almost an hour on foot from the ancient ruins. Bah… who cares? Every day is leg day.
The Oracle of Delfi awaits
Apollon Camping turned out to be the perfect choice for me. It had everything a traveler could want: affordable accommodation ranging from simple cabins to shared tents, a small restaurant, showers, laundry facilities, and even a swimming pool. But what really made it special was the view. On one side, the landscape opened into an endless sea of olive orchards cascading down toward the Gulf of Corinth. On the other side, the rugged slopes of Mount Parnassus rose like a stone fortress.
A lovely little corner at Apollon Camping
I was also surprisingly lucky with my shared tent. It was technically meant for four people—two bunk beds squeezed into a canvas shelter—but I only remember having a roommate for a single night. The rest of the time, I had the entire tent to myself, which made it feel more like a private little hideaway than a shared backpacker setup.
And no place in Greece is complete without at least one cat
By the time I’d settled in, the day was slipping into evening. I didn’t have the time to explore much beyond the campsite, so I simply wandered the grounds, and soaked in my surroundings. As night fell, the stars sharpened above the valley, bright and countless, stretching across the sky like ancient lanterns guiding travelers on their Odyssey in the Mountains—mine included.
Morning in Delphi
The following morning, after a simple breakfast at the campsite, I set off toward the Delphi Archaeological Site—about an hour’s walk along the winding road. The air was still cool, and the town had not yet fully stirred awake. By the time I reached the entrance, the place was quiet; none of the big tour buses had arrived yet, giving the sanctuary that rare early-morning stillness that lets you imagine what Delphi might once have sounded like before crowds, cameras, and guidebooks.
Bronze votive animals, 8th–5th centuries BC on display at the Delphi Archeological Museum
I began at the Delphi Archaeological Museum, a compact but brilliant collection that frames the entire site with context. Inside, the first rooms were filled with delicate gold trinkets, bronze figurines, and small votive offerings—objects gifted to Apollo in hopes of favor, prophecy, or redemption. Many were shaped like animals, warriors, or abstract symbols of wealth and devotion.
Display of the surviving gold and ivory items from life-size chryselephantine statues dedicated at Delphi
There were also helmets offered by victorious generals, ornate tripods dedicated by cities, and fragments of statues whose presence must once have overwhelmed ancient visitors. It’s one thing to imagine people seeking the oracle; it’s another to stand inches from the physical gifts they left behind to secure the god’s ear.
Bronze infantry helmets dedicated as war booty or personal offerings
What struck me most was how these artifacts weren’t simply religious items—they were political messages. In antiquity, city-states sent offerings not only to honor Apollo but to signal alliances, advertise victories, and compete for prestige. Delphi wasn’t just a spiritual center; it was a Panhellenic stage where power was displayed in bronze and marble.
Into the Ancient Sanctuary
Leaving the museum, I followed the stone path upward into the archaeological site. Early on, I passed one of Delphi’s most remarkable surviving structures: the famous curved polygonal retaining wall supporting the eastern terrace of the Temple of Apollo.
Polygonal retaining wall of the Temple of Apollo terrace, Delphi
At first glance it looks almost decorative. Its stones cut into irregular multi-sided shapes, fitted together like an ancient geometric puzzle. But standing close, you realize how extraordinary the craftsmanship is. Each limestone block was carved with many precise angles and then fitted into its neighbors with no mortar at all. The joints are so tight that even after 2,500 years—and countless earthquakes—you still couldn’t slip a sheet of paper between most of them.
The Athenian Treasury that used to house dedications and votive offerings made by their city and citizens to the sanctuary of Apollo
Further up stood the remains of several Treasuries, small temple-like buildings constructed by Greek city-states to store their offerings to Apollo. The most famous among them—the Treasury of the Athenians—once held war spoils, gilded statues, and lavish gifts meant to showcase the city’s power. Many of the items in the museum’s collection were originally displayed in structures like this, framed by political rivalry as much as religious devotion.
The Temple of Apollo
Soon after, the path opened onto the grand centerpiece of the sanctuary: the Temple of Apollo. Though only foundations and a few towering columns remain, the scale of the temple is impressive. This was the heart of Delphi, where the Pythia—the oracle—delivered cryptic prophecies believed to come directly from the god. Delegations came from all corners of the Greek world to seek answers here, paying hefty fees, bringing extravagant gifts, and hoping Apollo would tip fate in their favor.
Sanctuary of Apollo with gorgeous scenic view in the background
Just beside the temple stood another remarkable survivor of the ancient sanctuary: the bronze Serpent Column, one of the most famous war memorials in Greek history. Dedicated in 479 BCE by the 31 Greek city-states who united to defeat the Persians at the Battle of Plataea, the column originally stood nearly eight meters tall. Three intertwined serpents spiraled upward, their heads supporting a golden tripod and cauldron—an offering to Apollo in gratitude for victory. Unfortunately, only the bronze spiral remains today, the golden parts and the serpent heads having been looted centuries ago.
The Serpent Column with the Temple of Apollo in the background
Near the temple, I noticed a stone covered in worn Greek inscriptions. After a bit of research, I learned it resembled the Lyttian Inscription, originally from the ancient city of Lyttos in Crete, dating to around 500–450 BCE. The idea that a Cretan inscription stood here might seem odd, but in reality it makes sense: Delphi was a diplomatic theater.
The Lyttian Inscription at Delphi, dating to around 500–450 BCE
City-states erected inscribed stones to commemorate alliances, grant asylum, or declare political stances. In the case of Lyttos, such a stele might have been placed at Delphi as a public diplomatic message, invoking Apollo’s authority and broadcasting their decisions to the wider Greek world. Delphi mediated disputes, legitimized treaties, and symbolically “blessed” political acts—far more than just a mystical shrine, it was the nervous system of ancient Greek interstate relations.
The Theatre and the Stadium
Continuing uphill, the path eventually brought me to the Ancient Theatre of Delphi, perched dramatically on the slopes of Mount Parnassus. From the upper tiers, the view was almost unreal—terraces of stone seating overlooking the valley of olive orchards and the shimmering Gulf of Corinth in the distance. Here, festivals, hymns, and performances honoring Apollo once echoed through the mountains. The theatre wasn’t entertainment in the modern sense. Instead it was part of the religious calendar, a way to celebrate the god through art.
Ancient Theatre of Delphi with increasingly epic landscape views
A little higher still, at the very top of the sanctuary, lay the Stadium of Delphi. This elongated arena hosted the athletic competitions of the Pythian Games—the second most important games in the ancient world after the Olympics. Footraces, music contests, and displays of strength and skill all unfolded here. Standing on its stone starting line, surrounded by pine trees and cliffs, one could imagine the cheers of thousands filling the space during festival years.
The Stadium of Delphi where athletic displays unfolded
Yet even after reaching the stadium—the topmost structure at the archaeological site—I knew something was missing. That iconic round building associated so strongly with Delphi, the one that appears in documentaries, photos, and every pop-culture reference to the oracle…
The Tholos of Athena Pronaia
The structure I was thinking about wasn’t actually inside the main sanctuary at all. It sat a short walk down the road, past the remains of the Ancient Gymnasium, in the sanctuary of Athena Pronaia—the “Athena Before the Temple,” meaning this was the precinct pilgrims first encountered before reaching Apollo’s oracle.
I had finally found the iconic Tholos of Athena Pronaia
And there it was: the Tholos of Athena Pronaia, a circular structure with elegant columns arranged in a perfect ring. Even in ruins, it radiates an unmistakable mystique. No one is entirely sure what ritual purpose the Tholos served—perhaps a hero shrine, perhaps a place of offerings, perhaps something more symbolic—but its presence is powerful. Standing before it, I finally felt that familiar image of Delphi snap into place.
Blessing received—my journey could continue
This was the kind of spot I imagined ancient heroes visiting before setting off on impossible quests—seeking the oracle’s blessing, hoping a single prophecy might tilt fate in their favor. And now here I was, halfway through my own Odyssey in the Mountains, smiling at the timeless architecture and imagining the oracle nodding her approval for the rest of my journey.
Heat, Hills, and a Quiet Afternoon
With my pilgrimage complete, the mid-day sun began to press down with its full force. Temperatures were now climbing past 35°C. After a brief wander through modern-day Delfi, I decided it was time to make my way back to the campsite.
It was nap time for the friendly felines
Unlike my packed, power-walk days in Athens, the Delphi leg of my journey felt more balanced—part exploration, part recovery. Something about the mountains, the quiet, the air thick with history and stories, made the days feel like a kind of mental reset. Maybe even a subtle, ancient spiritual cleansing.
Even the Greek-ets were resting in the afternoon
By the time I reached the campsite, the heat had become overwhelming, so I spent the rest of the afternoon in much calmer fashion: swimming, resting in the shade, and letting the weight of the morning settle in. Sometimes travel is about movement; Delphi reminded me that it can also be about stillness.
An Ancient Pilgrimage
My following day in Delphi was dedicated to walking a part of an ancient Greek pilgrimage road. Thousands of years ago, when people crossed the Greek world to consult the Oracle of Apollo, their journey didn’t end in Delphi itself. They would first arrive by ship at the coastal city of Kirrha, the ancient harbor of Delphi on the Gulf of Corinth. From there, the sacred path led through a vast, centuries-old olive grove and slowly climbed the slopes of Mount Parnassus until it finally reached the sanctuary.
The Gulf of Corinth seen from the road near Delphi
Most visitors stopped at Delphi — after all, they had reached the world’s spiritual center — but the pilgrimage road continued even higher into the mountains, winding through forests and ravines until it reached the Corycian Cave, a place with a long, mysterious history. In myth, it was sacred to the nymphs and to Pan; in the real world, it was deeply tied to Delphi’s ritual landscape. Pilgrims, priests, and initiates came here for ceremonies long predating the Temple of Apollo, and some ancient writers even hinted that ecstatic rites connected to the oracle took place within its depths.
On this second day, I planned to walk the road all the way down to the Gulf and back. Then, on my last full day, I hoped to follow the other half — the steep path up to the cave.
The Guardian Cerberus
My journey began with a zig-zagging road descending the mountainside. There was a small village to cross before reaching the rugged “ancient Greek wilderness.” But as I would soon discover, the path was guarded by Cerberus, the hound of Hades himself.
Church of Agios Georgios Chrisso (ancient Krissa), Phocis Region, Greece 19th–20th century
I was walking through this quiet village, music in my ears, when a dog erupted from a house whose gate stood wide open. And this was not the “tail-wagging hello stranger!” bark. No. This was the “YOU SHALL NOT PASS, O MORTAL INTRUDER” kind — full territorial mode.
I stopped. Hesitated. Whipped out my phone and checked Google Maps for an alternate route. There wasn’t one. Of course.
The beast stood its ground, delivering occasional growls to remind me that mortals have limits. There was no owner in sight; no obvious escape; no diplomatic channel. My frustration rose.
A Mortal’s Resolve Before the Gate of Hades
Finally, I told myself: No mutt is going to stop Odyssian from completing his legendary journey. So with one slow, steady breath, I walked forward — calm, confident, and acting as if the underworld’s guardian wasn’t right there barking his judgement upon me.
Cerberus did not appreciate my aura of divine-level indifference. His protests grew louder as I passed, refusing to acknowledge him. I kept my stride firm. Then, suddenly — WHUMP. The hound head-butted my butt.
Not a bite. Not even a nip. Just a firm, exasperated shove from the snout, the canine equivalent of: Yeah, that’s right, keep moving, monkey. This is MY realm. I burst out laughing. It was ridiculous, tense, and utterly mythological all at once.
Descending the ancient path after my close encounter with Cerberus
We had both achieved our victories: I left his sacred territory, and he successfully defended it. And with that peace treaty sealed, the ancient path toward Kirrha lay open.
The Modern Lifeline of the Pleistos Valley
A little further down the mountain, just as the last houses of the village faded behind me, the trail crossed a curious sight: a narrow concrete water channel cutting across the hillside. It felt oddly out of place in the dry, rugged terrain — a quiet reminder that even in landscapes steeped in ancient history, modern Greece still threads its necessities through the mountains.
Coming across the Mornos Aqueduct on my journey
This was an exposed section of the Mornos Aqueduct, part of the vast Evinos–Mornos system that carries drinking water all the way to Athens. Most of the aqueduct runs hidden through tunnels and underground conduits, but here in the upper valley it surfaces briefly before disappearing back into the slopes. The terrain around it was still harsh and sun-baked, all rock, scrub, and brittle grass — no shade, no olive trees yet, and the day was already beginning to heat up as noon approached.
Scuba diving trip all the way to Athens?
For a moment a moment I contemplated having a sip. It looked clean, cool, and almost inviting. But then I remembered the long lasting downstairs consequences of drinking tainted water once. I later learned, this channel carries treated drinking water bound for Athens, part of a tightly monitored system that supplies a huge portion of the capital. Locals sometimes splash their hands in it to cool off, but it’s not meant to drink from directly.
A Chapel in the Highlands
Leaving the aqueduct behind, I continued toward the edge of the highlands and soon came upon the small Byzantine church of Agios Georgios. A 10th–12th century chapel perched quietly on the slope, it watches over the pilgrims’ trail much like it has for a millennium. From here the view spilled wide into the Pleistos Valley and out toward the Corinthian Gulf — a perfect spot for a short break in the rare patch of shade.
The Byzantine church of Agios Georgios on the ancient path
About a kilometer downhill lay Chrisso, gateway to the vast Sacred Olive Grove of Krissa — also known as the Krisaean Plain or Amfissa Olive Grove. A UNESCO-protected landscape of 5,500 hectares and more than 1.2 million olive trees, it is the largest continuous olive grove in Greece. Some of its trees date back centuries, even a thousand years, and the grove itself has roots reaching over 3,000 years into the past. This is the “Sea of Olives” the ancient pilgrims crossed on their way from the coast at Kirra to the Oracle of Delphi.
The Sacred Olive Grove of Krissa stretching out in every direction
By this point, however, I had made a rookie mistake: I’d run out of water. I was still operating on “Transylvanian / Norwegian mountains” where clean springs and streams appear regularly. Greek wilderness, as I quickly learned, is not that. Arid, sunbaked, and largely waterless — the kind of terrain that reminds you, unmistakably, that hydration isn’t optional.
Crossing the Sea of Olives
Luckily, Kirra was not far. With the steep hills behind me and the terrain flattening out into the endless olive grove, I pushed onward. The trees offered bursts of shade here and there, enough to keep me going even as thirst clawed its way up my throat.
Walking — or would it be swimming? — in the Sea of olives
One quick stop at a small store later — blessed cold water! — I had officially reached Kirra, the ancient port of Delphi. After nearly a week in Greece, I finally touched the Mediterranean Sea. The water was astonishingly warm, and the whole town felt quiet and unhurried, maybe because it was midweek, or maybe because Kirra simply is that kind of sleepy coastal place.
The rocky beaches of Kirra
After a refreshing dip, I found a nearby restaurant for lunch. I ordered chicken, which was excellent… but I immediately regretted it when the local at the next table began bragging — between blissful mouthfuls of crab — that this was the best seafood restaurant in the region. My heart (and stomach) sank. Next time, I suppose!
The Sun Strikes Back
By now, daily temperatures were climbing toward their brutal peak. My plan had been to hike all the way back up to Delphi, completing the full pilgrimage loop… but reality was setting in fast. Water would be an issue again, shade would be almost nonexistent, and the afternoon heat felt like stepping into an oven.
The Harbour of Kirra where ancient pilgrims would start their 12-14 km Sacred Walk up to the Oracle of Delphi
Eventually, I decided it was wiser — and safer — to find the bus station and catch a ride back. This also gave me the chance to buy my onward ticket to Patras and see where the Delphi bus stop was located. A practical detour in my otherwise mythical journey.
The Kiss sculpture by Kostas Varotsos on the Kirra seaside promenade
As I waited, hiding in whatever sliver of shade I could find, I checked the forecast: extreme heat warning, likely close to 40°C. No water sources, no shelter, and a steep mountain hike? More and more it looked like my plan to hike up the mountains the next day was not a great idea. After my unexpected brush with Cerberus earlier that morning, I wasn’t exactly eager to challenge Hephaestus’ furnace as well.
Pool lounging time with some serious tan lines
Back at camp, I mulled it over, but the conclusion didn’t change. And indeed — the next day was ferocious. So instead of the planned hike to the Corycian Cave, I spent most of it by the pool, dipping in and out to survive the scorching air. A little disappointing, sure, but pushing into hazardous conditions for the sake of stubbornness would’ve been foolish.
The rising moon at dusk over the Pleistos Valley
With my last day in Delphi drawing to a close, the soundtrack of my journey began rising again — that familiar hum of anticipation — as I boarded the bus toward the port city of Patras. My Odyssey in the Mountains was officially behind me.
Across the Bridge to Patras
Following a two-hour bus ride along the coast, we eventually crossed the impressive Rio–Antirrio Bridge (Charilaos Trikoupis) — a modern engineering marvel stretching almost 3 km across the Gulf of Corinth. It links mainland Greece with the Peloponnese, not far from where the ancient lands of Achaea, Elis, and the wider sphere of classical Sparta once lay. The city of Patras, Greece’s third largest, came shortly after. Not a classic tourist hotspot, but that only made me more curious about what this coastal metropolis really had to offer.
Coming up on the Rio–Antirrio Bridge
I had booked a cheap two-star hotel somewhere in the center. Out of all my accommodations during the trip, this was the most run-down looking, for sure — cracked tiles, peeling paint, a fridge that hummed like an angry bee. But it served its purpose. And the city itself, from first glance, felt rougher around the edges: lived-in, gritty, but unmistakably authentic. A glimpse of everyday modern Greece rather than a curated postcard.
After settling in, I picked out the first major attraction highlighted on Google Maps — the Church of Saint Andrew — and headed straight there.
The Church of Saint Andrew
The Church of Saint Andrew of Patras is one of the largest churches in Greece and one of the most significant pilgrimage sites in the Orthodox world. The current basilica was completed in 1974, built to complement an older 19th-century church standing beside it. Its enormous central dome, crowned with a shimmering cross, is visible from a distance — a beacon rising over the western edge of the Peloponnese.
The Church of Saint Andrew of Patras
Saint Andrew himself holds a special place in both Christian tradition and local Patras identity. According to early accounts, Andrew was the first of the Apostles called by Christ, earning him the title “Protoklētos” — the First-Called. His missionary journeys eventually led him to Greece, where he preached across the Peloponnese. It was in Patras, tradition says, that he met his martyrdom: crucified on an X-shaped cross at the order of the Roman proconsul Aegeates. This distinctive form — now known globally as “St. Andrew’s Cross” — became one of the Apostle’s enduring symbols.
Preserved fragments of Saint Andrew’s cross
Because Patras is believed to be the site of Andrew’s final days, the church holds several relics directly connected to him. Inside the basilica — richly decorated with icons, mosaics, chandeliers, and sweeping arches — you’ll find some of its most treasured objects: portions of the Apostle’s skull, returned to Patras from the Vatican in 1964 in a historic gesture of goodwill; fragments of the cross on which he was martyred, preserved in ornate reliquaries; and even a section of the rope believed to have bound him during the crucifixion.
The main reliquary of Saint Andrew’s head
These relics draw thousands of pilgrims each year, especially on November 30, the Feast of Saint Andrew. Even for someone simply passing through the city, the atmosphere inside feels heavy with history — layered centuries of faith, devotion, and legend.
Among Ruins and Relics at Sunset
After leaving the grand basilica behind, I wandered through the surrounding streets as the evening light turned warm and golden. The area around Saint Andrew’s Church is dotted with layers of history, and as I meandered downhill I kept stumbling across ruins almost casually embedded in the modern city — a random Roman-era retaining wall here, the excavated foundations of an early Christian basilica there.
Roman-era retaining wall near the Cathedral in Patras
These remains belong to the ancient martyrium complex built directly over the spot where Saint Andrew is believed to have been crucified around 60 AD. Just beside the archaeological site stands the Old Church of Saint Andrew, a much smaller 19th-century structure that predates the modern basilica. Once it housed relics of the Apostle himself, but since the consecration of the new cathedral in 1974, those relics have been relocated to a special shrine in the larger church.
Excavated remains of the ancient basilica and martyrium
Patras basically built its entire religious identity around this exact patch of ground where the apostle was killed. Pretty powerful place to stumble across while just wandering the city!
With the sun now sinking behind the Gulf of Patras and the light softening into twilight, I finally turned back toward my hotel, ready to continue exploring the city with fresh energy the next day.
Walking Through the Roman Heart of Achaea
My day in Patras started with a long city walk up toward one of its most distinctive landmarks: the Roman Odeon. Patras may not have the same immediate name recognition as Athens or Corinth, but what it does have is a remarkably intact Roman layer — and the Odeon is the crown of that stratum.
The restored Roman Odeon of Patras
Dating from the 1st or early 2nd century A.D., the Odeon once served as a venue for musical events, small theatrical performances, and public ceremonies. Its size may feel modest compared to the great imperial theatres of the east, but that’s exactly what makes it so interesting: it’s a Roman building scaled to the needs of a thriving port city on the edge of Greece.
The stage building of the Roman Odeon
The Odeon was buried under earth for centuries and only rediscovered in 1889 when a landslide revealed part of the seating. Since then the structure has been impressively restored — the cavea, the stage buildings, and even the backstage complex have been reconstructed enough to give a genuine sense of how it functioned. Its red brickwork, marble seating edges, and compact proportions make it feel almost intimate.
View towards the ancient agora from near the Odeon
As far as I recall, entry here was free, and that aligns with older guides, though fees may change. Either way, it was a great first stop and set the tone for the rest of the day: Patras unfolds its history piece by piece, and most of it sits right out in the open.
The Castle of Patras
High above the modern city, on the pine-covered hill that once guarded the ancient acropolis of Patrai, stands the Castle of Patras (Kastro Patras). Built by the Byzantine emperor Justinian I in the 6th century AD on the ruins of a Roman-era temple of Artemis, it was later strengthened by Franks, Venetians, and Ottomans – every conqueror leaving their own layer of stone and story. The triangular inner keep, the deep moat (now a green garden), and the six bastions still feel like a living timeline.
The park-like alleyways within Patras Castle
The castle inner part provides pleasant walkways among its ruins with a the park-like feel to it. From the ramparts you get sweeping views of the old town and the Gulf of Patras. The mix of stonework styles makes it a good example of how cities like this evolved in cultural layers.
The sea through the castle gate
Walking around the battlements, though, was undeniably refreshing after the city streets. If Patras’ Roman side shows you its internal world, the castle gives you its vantage point. I also vaguely remember this site being free as well, but I might be mistaken.
The Archaeological Museum of Patras
After exploring the old town and castle heights, I walked about three kilometers across the city to the Archaeological Museum of Patras. Built relatively recently, with the modern building inaugurated in 2009, the museum showcases artifacts from the region spanning from the Neolithic era (4th millennium BC) up to late antiquity.
Mycenaean zoomorphic vessels (askoi), 12th century BCE. These duck-shaped ritual containers were likely used for oils or libations.
Inside, the permanent exhibition is organized into three major halls: Private Life, Public Life, and Cemeteries. The collection includes Mycenaean-era pottery, Roman-era mosaics from wealthy villas, daily-use tools, sculptures, tomb artifacts, and remnants from various aspects of private and public life. These items together offer a vivid glimpse into how people lived, worked, and celebrated life in Patras across millennia.
A young girl’s skull crowned with delicate terracotta blossoms, 300–200 BC
Among the museum’s most striking pieces were several Hellenistic-period skulls adorned with delicate terracotta or gilded myrtle wreaths, dating to roughly 300–275 BC. These decorated crania, originally part of funerary rituals, convey a deeply personal and almost haunting glimpse into ancient beliefs surrounding death and remembrance.
The Beauty of Patras mosaic (2nd century AD) — She’s still putting on her makeup.
In the Public Life and Private Life halls, mosaics from Roman-era villas depict scenes of daily activities, mythological motifs, and geometric patterns, while other objects — lamps, jewelry, household tools — make the past feel surprisingly immediate and tangible.
Mycenaean Octopus Bathtub (ca. 1300 BC) — I wouldn’t mind one of these
Compared with the National Archaeological Museum in Athens, which overwhelms with scale and monumental treasures, the Patras museum feels more personal and eclectic. Its mix of unusual and intimate pieces — from the skulls with wreaths to the Mycenaean octopus bathtub — offers a glimpse into everyday life and local practices that you won’t get in the capital. Visiting both museums gives a richer perspective on Greece’s layered history, making Patras well worth the stop.
Lunch, Late-Afternoon Wander
After the museum, I treated myself to a late lunch — paidakia (lamb chops), a hearty and well-earned meal after all the walking and sightseeing. The late afternoon sun was slowly leaning west, casting the city in warm, golden light.
Paidakia with garlic mashed potatoes
I continued my stroll through Patras through the scattered Roman ruins, including what remains of an ancient Roman stadium. The ruins lie amid the city’s winding streets; while they’re not as well preserved or grand as some major ancient stadia, they provide another layer of Roman presence beneath the modern city fabric.
The End of This Leg of My Journey
As I walked among the stones, mosaics, and fragmented walls, I felt the weight of a very different kind of history than the one I’d absorbed back in Athens. The capital overwhelms you with its grand Hellenic past — the kind of iconic, marble-crowned scenery that needs no introduction. Patras, by contrast, doesn’t deliver that same postcard-perfect Greek antiquity. Instead, it reveals its past in quieter, rougher layers: Roman arches half-swallowed by modern streets, broken mosaics exposed under patches of wild grass, and scattered ruins almost casually embedded in the city’s everyday life.
Remains of the Roman Stadium in Patras
Yet that contrast made it all the more compelling. Here, I wasn’t walking through curated monuments but through a city that had been built and rebuilt over centuries, each era leaving traces without fully erasing the last. Patras may not have Athens’ classical grandeur, but it offered a vivid sense of the Roman world lingering beneath the surface.
Patras and the Ionian Sea viewed from Patras Castle
Having now explored the legendary Athenian capital, traversed the foothills of Parnassus and the sacred olive groves, paid my tribute to the Oracle of Delphi, and delved into the rich Roman and Christian heritage of Patras, I felt the full weight and wonder of this leg of my Odyssey in the Mountains. With each step, I had moved through layers of history, myth, and modern life, and now I was ready to embark on the final stretch of my journey — a voyage across the sparkling waters of the Ionian Sea toward the storied isles of the west, to Ithaca, the homeland of Odysseus himself.
From the moment my future PhD position in Canada was confirmed in early May 2019, I knew I was going to spend that summer on a long-awaited holiday in Greece. After the surprising personal discoveries and new friendships I’d written about in earlier posts, the idea of exploring my distant ancestral roots had grown too powerful to ignore. And with my long-standing, tongue-in-cheek claim of being a modern reincarnation of Odysseus, King of Ithaca, I felt a genuine urge to embark on my own quest across the country. Thus, the planning for my 2019 Odyssey on the Fly—from Athens to Ithaca began.
Eternal sunshine and hot days await!
Even though I had already travelled to quite a few countries and lived abroad for several years, this was going to be my first true solo adventure — the prototype for how I’d plan all my future travels: set my key destinations, book the essentials, and then wing everything else along the way.
Planning and Logistical Challenges
My approach to this solo trip was simple. I had a starting point, Athens, and a final destination, Ithaca. Athens was the obvious place to begin: the capital, the largest airport hub, and the gateway to any Greek adventure. When searching for flights, I found a direct option from Geneva, conveniently close to Lausanne, where my friend Eddy had recently moved for his PhD. Perfect — I could spend a few days in Switzerland visiting him before heading down to Greece.
The only downside was that the flight was at 6:00 a.m. Brutal. Even worse, I wasn’t coming from Lausanne itself, but from a small village outside the city — meaning I had to get to Geneva Airport for one of the earliest departures of the day. My only option was to take a late-night train and spend the entire night at the airport.
A miserable long night in the Geneva airport…
Unfortunately, the terminals were closed overnight, so all early-morning passengers had to wait in the public area, where there wasn’t a single comfortable seat. Every bench had metal armrests to prevent people from lying down, so those hoping to rest were forced onto the cold, hard floor. I joined them. It was not a comfortable night… not at all. My overnight experience rating of Geneva Airport: 1 out of 5 stars. Terrible.
Time Allocation
Next I had to figure out how much time I would allocate to Athens, Ithaca, and any places in between. Athens is huge and overflowing with things to experience — but also expensive. I decided on around four days, staying in a shared hostel dorm to keep costs low while staying right in the center of the city.
Oh man, I’m becoming quite the map artist over here…
Looking at the map, I realized that the legendary sanctuary of Delphi was almost exactly on my route. Having been fascinated by Greek mythology through books, documentaries, and visually immersive games like Titan Quest, I felt compelled to stop there and finally see those landscapes in person. Modern Delphi is quite pricey, though… but for the adventurous budget traveler, I discovered a campsite within walking distance of town that offered shared tent accommodation for a tiny fraction of the price. Three to four days there sounded just right.
Down the stairs, straight to the sea – Patras
Further west lay the larger city of Patras, at the mouth of the Corinthian Gulf — and the port from which I’d have to catch a ferry to Ithaca. I managed to find a really cheap hotel option, so I figured I’d take two nights and give myself some time to explore the city. As for Ithaca itself, accommodation options were limited, so I splurged on a proper hotel room for a couple of nights. By far the most expensive stay of the trip — but since I was “going home”, it felt like the right move.
The Plan Takes Shape
After some digging, I found bus and ferry connections for each leg of the journey. Some routes, like Athens–Delphi or the Patras–Ithaca ferry, I could book in advance. Others, like Delphi to Patras, were impossible to reserve online, meaning I simply had to trust that tickets would be available when I arrived. So be it — improvisation was part of the charm of this adventure.
As I’d soon discover, Greece has one of the largest populations of surprisingly happy stray cats… so expect plenty more random cat cameos.
The last challenge was finding a quicker route back to Athens without retracing the entire journey. The only realistic option was a domestic flight from the nearby island of Kefalonia. Not wanting to skip the chance to explore somewhere new, I booked two nights in an Airbnb in the small village of Spartia on Kefalonia as well.
Mount Ainos doing its dramatic thing, Kefalonia summer vibes
With every accommodation sorted — hostels, tents, hotels, and rural Airbnbs — and an itinerary that wove together ancient ruins, museums, mountain hikes, beaches, islands, and quiet village life, the plan was complete. I was finally ready for the adventure of a lifetime: my Odyssey on the Fly—from Athens to Ithaca.
Arrival
Memory of the flight and the journey from Athens Airport to my hostel is a bit fuzzy—mostly because of how exhausted I was. I remember flashes of being impressed by the well-decorated Athenian airport and a surprisingly smooth bus ride into the city. The moment I reached the hostel, I crashed straight into bed and slept for four hours.
A nightly walk around the neighborhood
I finally woke up sometime in the afternoon. After a desperately needed shower, I headed out for my first Greek meal: moussaka. The restaurant was right next to the hostel—kind of attached to it, but also its own thing. That meal was on a completely different level, better than anything I’d tasted before. I was instantly convinced of the superiority of Greek cuisine and ended up returning to that same spot every day. That’s also where I befriended Nikos, a cool, friendly, constantly-smiling waiter who turned out to be a fellow metalhead and music connoisseur.
Starting off strong, with a staple Greek dish: Moussaka
Once I finished that heavenly dish, I took a quick walk around the neighborhood to get my bearings. The rest of the evening I just chilled—attending the newcomers’ event, having a drink with other travelers, and enjoying the incredible view of the Acropolis from City Circus Hostel’s rooftop terrace.
Day One Detour
After a long, glorious night of sleep, I woke up fully charged and ready to walk the hell out of Athens. But before I could start exploring, I had a pretty important side quest to complete. Actually, it was more of a main quest.
At the time, I was in the middle of applying for a Canadian student visa, and for that I needed to get my biometrics done at a Canadian embassy. Luckily, it didn’t have to be done in my country of residence or citizenship. So while planning this Greek adventure, I made sure to book an appointment at the Canadian Embassy in Athens for the first day after arrival.
Panagia Kapnikarea: 1000 years old Byzantine gem casually sitting in the middle of Athens’ busiest street since forever
This meant my first morning in Greece started with a taxi ride to the northeastern part of the city, to a quiet residential neighborhood where the embassy was located. The whole process was smooth and quick, and soon enough I was free—with the entire day ahead of me. So I thought: Well… might as well start exploring from here and walk my way back downtown. Just about 10 km. On foot.
This is where one of my staple solo-travel habits was born: walk until my back breaks and my feet fall off.
Modern day Athens
So I started walking—down quiet residential streets, taking in the hot-climate architecture I’d never seen before. White and light-colored buildings everywhere, decorated with intricate grill-style window and balcony designs. Pointy rocky cliffs in the distance. Lush parks scattered along the way. Orange-tree-lined streets glowing in the sun.
Walking along Athenian busy boulevards
Orange trees. In the middle of the city. This was completely new to me. Naturally, I had to try one. Instant regret. I later learned they’re decorative, not edible.
The forbidden Athenian street oranges
But the surprises didn’t stop with the oranges. Soon I began spotting Greece’s famous olive trees. Then I passed a particularly ancient one—girthy, fenced off, standing proudly in the center of a busy boulevard. The plaque said fifteen centuries old. Fifteen centuries. Holy-oldy.
This 500-year-old olive’s seen more drama than a Greek tragedy
Nearby towered a massive modern sculpture rising above the traffic like some kind of metallic-glass titan.
Dromeas (The Runner) sculpture by Costas Varotsos, central Athens
By then, I was really feeling the midday heat. My water bottle was empty, and after hours of walking I desperately needed a boost. I ducked into a gas station and spotted a Gatorade-style drink. I normally never buy those, but if there was ever a time for electrolytes, this was it. And oh boy, did it work. Ten minutes later, I was fully recharged and marching ahead at full speed.
Athenian War Museum
Even with my energy restored, the midday sun was getting a bit too enthusiastic, so I started searching for a place where I could cool down before melting into the pavement. Since I was already close to central Athens, I had plenty of museums within reach, but it was the Athenian War Museum that caught my attention. Something about the combination of ancient Greek lore and modern warfare just clicked with my overheated, curiosity-fueled brain.
Greece’s first warplane (1912), the Daedalus, flying high in the War Museum
The museum itself was founded in the 1970s to showcase Greece’s long, turbulent military history—from classical hoplite warfare all the way to the 20th century. Walking in, it felt like stepping into a compressed timeline of the country’s battles, heroes, and strategic obsessions. Greece has basically spent several millennia fighting off everyone from Persians to Ottomans to Nazis, and the museum doesn’t shy away from any of it. If anything, it seems proud to lay out its entire warrior résumé in chronological order.
The Execution of Patriarch Gregory V on Easter Sunday (1821) by Nikiforos Lytras
Inside, the first thing that hit me—apart from the heavenly, life-saving burst of cold air—was a wall of iconic medieval shields. Round ones, kite-shaped ones, Maltese-style crosses, all neatly arranged like some kind of “Choose Your Fighter” selection screen from a medieval RPG. Nearby were tables and displays full of swords, halberds, axes, and all kinds of pointy objects that would make even a fantasy dwarf proud. I probably spent way too long just staring at steel.
Replica medieval weapons and shields (Byzantines, Franks, Hospitallers, and Teutonics)
From Ancient to Modern
Further in the exhibits jumped forward in time. Suddenly I was surrounded by WWI and WWII-era weaponry—machine guns, flamethrowers, uniforms, radios, and other gear from Greece’s involvement in the wars. There’s something surreal about seeing the evolution from bronze shields and hoplite helmets to gas masks and belt-fed machine guns under the same roof.
From Medieval times to German WWII weaponry
Somewhere between these halls of steel and gunpowder, one quieter but far more emotional piece caught my eye: The Execution of Patriarch Gregory V on Easter Sunday (1821) by Nikiforos Lytras. The painting portrays the moment the Patriarch was executed by the Ottomans at the start of the Greek War of Independence — despite the fact that he had publicly denounced the uprising. Lytras captured the tragedy with stark intensity: the tension of the ropes, the muted horror in the surrounding faces, the clash between spiritual authority and authoritarian power.
German naval guns from 1940s cruisers
Back outside, the museum courtyard delivered an entirely different vibe: a lineup of full-size military hardware from the modern era. Helicopters, artillery pieces, and sleek fighter jets stood silently under the blazing sun — an open-air gallery of 20th-century firepower contrasting sharply with the many ancient and medieval artifacts inside.
A Stroll Through the National Garden
Once I left the cool comfort of the war museum behind, I instantly felt oppressed once more by the scorching afternoon sun. Luckily, a nearby grand park offered just the right shaded environment for a gradual reacclimatisation to the high temperatures — the Athens National Garden.
Chilling with the Kri-Kri goats in the shade at the Athens National Garden
Originally commissioned in the 19th century by Queen Amalia, the first queen of modern Greece, the garden still carries her imprint everywhere. As I wandered in, exhausted but determined, the shift from blazing concrete to deep, lush shade felt almost magical. Tall palm trees, winding gravel paths, and dense greenery wrapped around me like a cool oasis in the middle of the capital. It was the perfect place to slow down, rehydrate, and give my legs a fighting chance after hours of constant walking.
The National Garden’s deep green shade felt heavenly in the blazing afternoon heat
At one point I reached Queen Amalia’s Pergola, one of the garden’s most iconic structures — a long walkway lined with tall Corinthian pillars, once covered in vines and still carrying that mix of royal elegance and Mediterranean charm.
Queen Amalia’s Pergola in the Athens National Garden
Between the shade, the occasional breeze, and the pockets of history tucked into the greenery, the National Garden became the perfect intermission in my long Athenian march. After exploring a more modern setting of Athens, it was now time to slip much back in time again — all the way to the birthplace of the first modern Olympic Games. With renewed energy and curiosity, I set off toward the legendary Panathenaic Stadium.
The Marble Furnace of Athens
From the shady park back out into the blazing sun, the Panathenaic Stadium ended up being only a brief stop. I’m pretty sure the closed metal gate didn’t allow casual visitors to waltz right in, but honestly, it could just as well have been the desolating sun blasting the entire stadium without a single ounce of shade. As impressive as that horseshoe-shaped arena looked from outside, the idea of stepping onto a giant marble heat magnet in 30-plus degrees was a level of suffering I was not keen on enduring.
The marble summer heat magnet that was the Panathenaic Stadium in Athens
The Panathenaic Stadium, though, is undeniably iconic. Originally built in the 4th century BC for the Panathenaic Games, it was refurbished entirely in white marble by Herodes Atticus in Roman times — a unique feature it still boasts today. Centuries later, in 1896, it became the venue of the first modern Olympic Games, symbolically linking ancient athletic tradition with the rebirth of the global sporting event. Even from the outside, its gleaming tiers of marble radiate a kind of timeless grandeur… and also, on that day, enough heat to cook a gyros.
Aristotle’s Lyceum
Moving on, I finally headed to my first major archaeological site in Athens: the Ancient Gymnasium — Aristotle’s Lyceum. It was here that I bought the unifying 7-site Athens pass for the incredibly reasonable price of 30 euros, granting access to the major archaeological sites across the city. A true bargain… and sadly one that was discontinued in 2025.
Statue of Aristotle in the National Garden
The Lyceum itself isn’t a grand towering ruin but rather a quiet, open archaeological space — the foundations of ancient training grounds, lecture areas, and courtyards that once buzzed with brilliant minds. This was the very place where Aristotle taught his students while strolling through the peripatos, shaping ideas that would echo through millennia. Walking through it, with the dusty outlines of old walls, one could imagine the philosophers debating under the same Athenian sky thousands of years ago.
Ruins of the Ancient Gymnasium: Aristotle’s Lyceum (Lykeion)
Despite its modest size, the site has a uniquely contemplative atmosphere. The shaded patches of trees and the soft hum of cicadas gave it a peaceful, almost academic calm — fitting, considering this was one of the birthplaces of Western philosophy. I lingered for a while, soaking in the blend of ancient intellect and having another shady bench-rest, before heading out toward my next stop.
Temple of Zeus
With the worst of the afternoon heat finally easing, I continued onward to the Temple of Olympian Zeus — a site that, despite being mostly open to the sky, felt surprisingly manageable in the mellowing light. The approach led me first through the ornate Hadrian’s Arch, which still stands like a proud ceremonial gateway separating old Athens from the new. Passing beneath its marble frame felt like stepping through a threshold in time.
Passing under Hadrian’s Arch, straight into the shadow of the colossal Temple of Olympian Zeus
Beyond it stretched the vast archaeological grounds of the temple itself. Even in ruin, the sheer scale of Olympian Zeus’s sanctuary is staggering. Only a handful of its towering Corinthian columns remain standing, but those that do rise with such improbable height and elegance that it’s easy to imagine the full colonnade dominating ancient Athens.
Only 15 columns left of what was once the largest temple in Greece – yet they still dwarf everything, with the Parthenon watching from the hill
The fallen drums lying around them add to the dramatic sense of age, as if the gods themselves had toppled the temple in slow motion over the centuries. Apart from these striking remnants, the archaeological grounds were a relatively brief walk — a final open-air stretch before I moved on to the last target on my day’s ambitious hit list.
National Archaeological Museum
After hours of wandering through the layered story of Athens—its streets, its gardens, its memories—I made my final stop for the day: the National Archaeological Museum. The building exudes the gravitas of a place that guards not simply artifacts, but identity—centuries of artistic vision, religious devotion, war, myth, and memory distilled into stone, bronze, and clay.
Odyssian approves of these vases
Inside, the first items that spring right up are the pots. Those ancient Greek vases—depicting hoplites, centaurs, scenes of war, and countless other figures and activities—crafted in such precise, elegant forms that they immediately drew me in. I simply adore the effortless balance of the silhouettes, the way the clean black lines capture motion, tension, and personality with such economy. I could really see myself owning a few of those one day, decorating a fancy kitchen in a hypothetical future home of mine—One day…
Beyond the Artefacts
As I moved deeper into the galleries, the sculptures took center stage. The serene faces of the korai, with their almond eyes and faint, enigmatic smiles, radiated a stillness that felt almost alive—like they were quietly observing each visitor, deciding whether to reveal their secrets.
Archaic korai (550–480 BC) from the Acropolis standing guard in the museum
A remarkable piece that stood out to me was the relief of a centaur in violent combat with a Lapith man. A relief sculpture that used to adorn the Acropolis depicting a powerful mythological scene. The scene likely belongs to the mythological cycle of the Centauromachy, symbolizing the conflict between order and chaos, civilization and barbarism.
Relief sculpture of a centaur in violent combat with a Lapith man
Finally, there were the pigments — a vivid wake-up reminder that these statues and reliefs were once drenched in color. As modern-day visitors wandering among bleached-white archaeological sites, temples, and sculptures, it’s easy to forget that in their own time these places were alive with striking, saturated hues. The fragments and ruins we see today are really just the outlines of an empty coloring book, their details long washed away and eroded by the passing millennia.
Ancient pigments: raw minerals and powdered dyes used by the Greeks to create paints for pottery, sculpture, frescoes, and decorative objects
After walking nearly 20 kilometers on my first day in Athens, I was more than ready to return to the hostel for a hearty meal and a well-earned rest. As the sun began to set, I paused by one of the museum’s high windows and gazed out at the Acropolis glowing on its rocky throne above the city. With a tired grin — and a spark of anticipation — I looked forward to finally standing up there the following day.
Another day, another 20 km walk
Fast forward to the next day, my lower back was slightly sore from the long march of the day before, but I wasn’t going to let something like that slow me down. In fact, if memory serves, the second day I ended up somehow walking even more than on my first. And it all starts with the hike up to the Acropolis.
The final steps up to the Propylaea of the Acropolis
The ascent begins with a steep climb of roughly 157 stone steps, each one worn smooth by thousands of years of footsteps. At the summit, you’re greeted by the Propylaea, the monumental entrance gate of the Acropolis, with its grand Doric columns and majestic symmetry. Walking through this ancient portal feels like stepping directly into the past, each stone a silent witness to the rise and fall of civilizations.
Temples, ruins and swarms of tourists—welcome to the Acropolis
Once inside, the Acropolis reveals itself as a sprawling complex of temples, monuments, and sacred spaces. Originally built in the 5th century BCE, this citadel has been a center of religion, politics, and art for over two millennia. Today it’s the center of the daily swarms of tens of thousands of tourists.
The flag of Greece flying proudly atop the Acropolis hill
The Acropolis survived Persian invasions, Roman occupation, and centuries of decay, yet its elegance still commands awe. The view of Athens sprawling below is breathtaking, a mosaic of terracotta rooftops and bustling streets framed by the distant mountains, with the Greek flag flying proudly above as a reminder of resilience and heritage.
Temples and Monuments of the Acropolis
From the summit of the Acropolis, the ancient city unfolds in every direction, dotted with temples, monuments, and reminders of the religious life that once thrived here. One of the most striking is the Temple of Athena Nike, a small yet exquisitely preserved temple that sits gracefully on a bastion overlooking the city.
Temple of Athena Nike with its kore sculptures frozen in time
Dedicated to Athena as the goddess of victory, it’s renowned for its elegant Ionic columns and the kore figures adorning its friezes. These finely carved maidens, which I also encountered the previous day in the National Archeological Museum, depict both ceremonial processions and mythological scenes, giving a vivid sense of the devotion and artistry that characterized ancient Greek worship.
No amount of scaffolding or 20,000 daily visitors can steal the Parthenon’s thunder. Timeless, crowded, perfect
At the heart of the Acropolis stands the Parthenon, the temple dedicated to Athena, goddess of wisdom and war. Constructed between 447 and 432 BCE, this masterpiece of Doric architecture is famed for its perfect proportions and intricate sculptures, particularly the friezes that once depicted the Panathenaic Festival in vivid detail.
One of the most beautiful ancient structures on Earth still standing today
Walking around it, you notice the subtle curvature of the columns and the optical illusions built into the design, a testament to the genius of ancient Greek architects. During my visit in 2019, the a large portion of the structure was blanketed by a web of scaffolding as it underwent reconstruction. I’m not sure of the state of it today.
The Acropolis skyline
From atop the Acropolis hill, Athens becomes a treasure map of ancient ruins among the modern day labyrinth. For example the massive ruins of the Temple of Olympian Zeus stand clearly in the distance. After my visit there the previous day, seeing the entire site from above was quite rewarding.
Temple of Olympian Zeus viewed from the Acropolis hill
Nearby, the Philopappos Monument crowns its own hill, visible from many points on the Acropolis. This grand funerary monument, built in the early 2nd century CE, commemorates Gaius Julius Antiochus Epiphanes Philopappos, a prominent Roman consul and benefactor of Athens. Its commanding position makes it an integral part of the Acropolis skyline, a reminder that even outside the citadel proper, ancient Athenians celebrated civic pride and personal legacy with impressive architectural statements.
Philopappos Monument for Gaius Julius Antiochus on Philopappos Hill
Another striking temple, the Hephaisteion, or Temple of Hephaestus, rises atop the ancient Agora. This Doric temple is one of the best-preserved classical Greek structures in existence, its sturdy columns and well-defined proportions hinting at the craftsmanship and reverence for symmetry that defined the period.
Temple of Hephaestus (449–415 BC)—the best preserved ancient Greek temple in the world
Though I would visit it later, even from afar its presence reinforces the richness of Athens’ sacred landscape, a testament to centuries of religious devotion woven into the very fabric of the city.
The amphitheaters
After spending a good chunk of time soaking in the sights atop the Acropolis, I slowly made my way down on winding paths descending the slopes opposite of the many stairs and grand entrance. Smaller temples and sanctuaries decorate the path on the way down. Below, two grand amphitheaters are carved into the side of the hill.
Hidden beneath the Parthenon: a tiny Mycenaean shrine from 1300 BC, quietly carved into the cliff
The Odeon of Herodes Atticus, a stone theater built in 161 CE, still hosts concerts today, its acoustics as perfect now as they were nearly two thousand years ago. Likewise, the Theater of Dionysus, the birthplace of Greek tragedy, is occasionally used for performances, connecting the modern city with its dramatic past.
Odeon of Herodes Atticus, the 1,900 years old open-air concert venue
Walking these paths, it’s impossible not to feel the hum of history beneath your feet, as if the whispers of philosophers, playwrights, and citizens long gone linger in the air
From the Acropolis to the Agora
After leaving the Acropolis behind, I made my way to the next big target on my checklist: the Agora. Basically the big public gathering space for ancient Greek city-states, the Agora was where everything happened. It was the beating heart of civic life—athletic competitions, artistic performances, political debates, philosophical arguments, business transactions, religious processions… if the Acropolis was the sacred realm of the gods, the Agora was the everyday realm of the people.
Ancient meets Modern—Stoa of Attalos with train tracks and graffiti walls
One of the first structures to command attention is the Stoa of Attalos, a long, brilliantly reconstructed 2nd-century BCE colonnaded building that now runs along the eastern edge of the site. A stoa was essentially an ancient Greek shopping arcade and public meeting hall—a covered, open-sided walkway designed for merchants, philosophers, and everyday Athenians seeking shade or shelter.
Walking beneath the roof of the Stoa of Attalos
The Stoa of Attalos is one of the most striking reconstructions in Greece. Restored in the 1950s by the American School of Classical Studies, it gives a rare and vivid glimpse of what ancient Greek architecture actually looked and felt like when it was new. The polished marble columns, smooth wooden ceilings, and symmetrical two-story layout make it easy to imagine bustling stalls, citizens debating the latest decrees, and students gathered around their teachers. It’s one of the few places in Athens where the ancient world feels almost tangible again.
Exploring the Agora and its Museum
Inside the Stoa lies the Agora Museum, home to an array of artifacts unearthed from the site. The collection is filled with more of my favorite painted vases, some depicting mythological battles and others adorned with simple everyday scenes—athletes training, women preparing for festivals, men at symposia.
Theatrical masks and small votive figurines inside the Museum of the Ancient Agora
There are also terracotta figurines and theater masks, tokens of the city’s artistic spirit, alongside jewelry, tools, coins, and personal items that once belonged to the Athenians who walked these very streets. Each display case offers small windows into daily life 2,500 years ago—objects touched, worn, and used by people whose names history has long forgotten, yet whose lives helped shape Western civilization.
Walking among the residential ruins of the Agora, with the Acropolis in the background
Stepping out of the museum into the large Agora, I walked along the maze of scattered low ruins of Classical and Hellenistic period houses, their red-brick courses still clearly visible. These foundational remains outline courtyards, workshops, kitchens, and living spaces, giving a sense of how densely packed and vibrant the neighborhood once was.
Humble foundations of an ancient Athenian home in the foreground with the flawless Temple of Hephaestus in the back
The walls are low now, barely knee-high, but they trace the footprint of an entire community that thrived here centuries before modern Athens rose around it. In the distance, rising above the tangle of ancient streets, the Temple of Hephaestus stands like a sentinel—unyielding, unmoved, and utterly intact. Two and a half millennia have slipped by, yet the god of fire and metal still watches over the Agora from his marble fortress.
The Temple of Hephaestus
And then, of course, there is the Temple of Hephaestus—the jewel of the Agora. Dedicated to Hephaestus, the god of metalworking and craftsmanship, this temple is one of the best-preserved ancient Greek temples in the world. Built around 449 BCE, its sturdy Doric columns and marble entablature have survived millennia of earthquakes, wars, invasions, and weather.
Inside the Temple of Hephaestus
What makes it especially magical is that it remains almost entirely intact: the friezes, the cella walls, even the original roof structure are still in place. It’s one of the only places in Greece where you can stand inside a 2,500-year-old temple and look up to see the same beams, the same interlocking marble slabs, that ancient Athenians walked beneath.
Panoramic view from the northwest corner of the Agora
Just a short walk downhill from the Temple of Hephaestus stands another remarkable structure—much younger, yet still centuries old—the Church of the Holy Apostles of Solakis. Built around the 10th century CE, it’s one of the earliest surviving Byzantine churches in Athens, marking the transition from the classical world to the Christian era.
Church of the Holy Apostles (11th-century Byzantine gem)
Its compact, cross-in-square design, graceful arches, and weathered stone walls give it a quiet charm, as if it has been tucked into the Agora to watch over the ruins with gentle patience. The church’s interior is small and intimate, but the frescoes and icons echo the devotional life of medieval Athens, reminding visitors that the Agora didn’t simply vanish after antiquity.
Agora hopping
Having finished exploring the ancient Greek Agora of Athens, I made my way toward another agora close by—the Roman Agora, along with a neighboring archaeological site: Hadrian’s Library.
As if it were indignantly saying: What are you looking at, monky?
On the way, I encountered more of the happy stray cats that Athens has in abundance. Completely unfazed by the endless traffic of people and vehicles, they lounged in the sun, stretched on marble blocks, or dozed in the shade of ancient stones. These are their lands, and we are mere servants passing through their kingdom.
Gate of Athena Archegetis—entrance to the Roman Agora
The Roman Agora is smaller and more compact than its grand Greek predecessor. Built in the late 1st century BCE and early 1st century CE—after Athens became part of the Roman Empire—it served as a new commercial hub for the city. Unlike the sprawling, multifunctional Greek Agora, the Roman one was more purpose-built: a tidy marketplace framed by colonnades, shops, and administrative buildings.
Today’s surviving ruins of the Roman Agora
One of the highlights here is the Gate of Athena Archegetis, an elegant marble entrance supported by towering Doric columns. It feels like the gateway to a miniature city within the city. A few scattered ruins stand beyond it—broken columns, fragments of workshops, and paved walkways that hint at the bustle of Roman-era trade.
The Tower of the Winds
Another interesting structures within the Roman Agora is the Tower of the Winds, an octagonal marble clocktower built in the 1st century BCE by the Macedonian astronomer Andronikos of Kyrrhos. Part scientific instrument, part architectural curiosity, it’s essentially the world’s first multifunctional weather station.
Horologion of Andronikos Kyrrhestes—the Tower of the Winds
Each of its eight sides is carved with a relief of a different wind deity, representing the cardinal and intercardinal directions—Boreas, Notos, Zephyros, and the others—each depicted with their own personality and symbolism. Inside, the tower once housed a complex water clock powered by a system of aqueducts, while the exterior featured sundials to mark the hours throughout the day.
Interior of the Tower of the Winds. The circular floor shows the line where the bronze water tank stood
Despite its age, the structure is impressively intact, and its sharp geometric form stands out beautifully against the surrounding ruins. It’s one of those buildings that feels ahead of its time—a reminder that ancient Athens wasn’t just about temples and philosophy, but also about engineering, science, and ingenuity.
Hadrian’s Library
Just next door lies Hadrian’s Library, commissioned in 132 CE by the Roman Emperor Hadrian—a famous Hellenophile who adored Greek culture and tried to revive Athens as an intellectual capital of the empire.
The library wasn’t just a place for scrolls; it was a grand cultural complex. It once held lecture halls, reading rooms, gardens, and a central courtyard lined with 100 columns. Today, only portions of the massive outer walls and a line of restored columns remain, but they give enough shape to imagine its former scale.
Stepping through the grand Propylon of Hadrian’s Library
Nearby are the remains of the Tetraconch Church, a Byzantine addition built much later. Its four-apsed design is still visible in the foundations, marking yet another layer of history stacked onto this compact patch of Athens.
Despite their modest size, both the Roman Agora and Hadrian’s Library feel like a small microcosm of the city’s long story—Roman ambition, Greek legacy, Byzantine faith—all coexisting within a few hundred meters.
Six down, one to go
With these two last sites being much smaller, I had now managed to tick off six of the seven major archaeological ruins of Athens on my pass. And with one and a half days left, I had plenty of time. So, to avoid the deadly noon heat, I retreated to the hostel for lunch and a bit of rest.
The only drawback of Greece in the summer were those deadly hot hours of noon and early afternoon
The cool interior was a welcome relief from the sun-baked streets, and I refueled with a hearty lunch: a chickpea stew to start, followed by osso buco with orzo and parmesan. Absolutely delicious, the rich, tender flavors of the osso buco paired with the creamy, cheesy orzo made it an instant favorite—so much so that it ended up becoming one of my staple “learned” Greek recipes together with the traditional moussaka.
Top: chickpea stew. Bottom: osso buco with orzo grated with parmesan
After the meal, I rested for a couple of hours, letting the midday heat fade and enjoying a bit of downtime. During that quiet period, I reviewed the photos I had taken so far, reliving the incredible sites I had explored that morning. With the seven major archaeological sites of Athens almost behind me—save for the final stop—I also began planning targets for the next day, which I envisioned as a more relaxed city exploration walk, capped with a hike up another of Athens’ iconic hills.
Once rested and recharged, I was ready to head out to Kerameikos Archaeological Site, the last of the seven, to complete my archaeological journey through the city.
Kerameikos Archaeological Site
The rest helped for sure, but the moment I got up to walk, my back and legs felt sore as hell again. Luckily, the Kerameikos Archaeological Site was just 10 minutes away from the hostel. By the time I arrived, it was golden hour. The slowly setting sun cast a warm, honeyed light across the ruins, illuminating the city and creating the perfect conditions for photography. This was, without a doubt, my favorite time to explore and capture Athens.
Kerameikos ancient cemetery in the early evening
I still had about an hour to wander before closing, and after the bustling crowds at the Agora and Acropolis earlier in the day, Kerameikos in the early evening felt like a quiet, almost meditative oasis.
Kerameikos was ancient Athens’ main cemetery, active from as early as the 12th century BCE and continuing through classical times. It also encompassed part of the city walls, including the impressive Dipylon Gate, where funerary processions would begin. Walking through the site today, low stone walls and fragments of tombs create a park-like landscape, blending solemnity and serenity in equal measure.
Tombstones of different sizes with ornate sculptures
The remnants of funerary steles, altars, and columns rise here and there, whispering stories of Athenians long gone. Some are elaborately carved, others simple markers for everyday citizens, yet each carries the weight of centuries of memory.
Olive Trees and the Kerameikos Museum
Interspersed among the ruins, I spotted olive trees heavy with green fruit—a first for me! After the whole bitter orange experience earlier, I wisely didn’t try these either, but it was fascinating to see them thriving among the tombs.
Ancient pots and gold bracelet at the Kerameikos Museum
Nearby, the Kerameikos Museum offered one last dose of artistry for the day. Inside, beautifully preserved vases, figurines, and sculptures illustrated the funerary practices and everyday life of classical Athens, a perfect complement to the outdoor experience of the site.
Nearing closing time, I left Kerameikos and decided to explore some more of the neighborhood in the twilight.
Reflections on the Troubles of Modern Athens
On my way out, I remained a little wary—Athens in the evening had its charms, but also its hazards. Earlier in the afternoon, back at the hostel, I had a brief adventure that reminded me of this. A Japanese girl staying at the hostel was on the verge of tears: her wallet, containing money and ID, had been stolen somewhere near the Acropolis.
I offered to walk her to the nearest police station to file a declaration. At the station, the officers were all very serious, tough-acting types, and I had to clarify that I was just a friend helping her out. Eventually, one of the more approachable officers softened, and we had a short conversation about petty crime in the city—a reality of Athens in 2019, with immigration waves and economic pressures often creating friction.
Funky street art on the Athens Retro festival building
Another encounter earlier in the day had been equally vivid: a group of street vendors approached me, aggressively offering bracelets for charity, insisting I pay for them, and creating a tense-but-absurd moment. After a mix of small change and a 5-euro note, the situation resolved itself, but it reminded me to stay vigilant while exploring.
An Evening in Athens
With these experiences in mind, I walked carefully through the streets of Athens, passing residential areas, parks, and canals, heading toward a local metal bar recommended by a girl at the hostel after noticing my rocker bracelets and long hair. By this point, I wasn’t much of a night owl anymore, so my goal wasn’t to drink heavily or mingle late; I just wanted a glimpse of the city at night and maybe discover some new music.
Small outdoor concert in preparation?
The bar was quiet—9 PM still early by local standards—but perfect for a relaxed beer. I chatted with the bartender at Intrepid Fox about Greek metal bands, and this is where I first learned about the deviously delightful Septic Flesh, a symphonic death metal band that would become one of my favorites. After finishing my beer and soaking in the early evening ambiance, I headed back to the hostel, letting the city settle into its nocturnal rhythm.
Intrepid Fox Rock/Metal bar and club in Athens
Day two had been long, packed with history, exploration, and a few minor adventures. According to my pedometer, it also held the record for my longest daily walk thus far—around 22 km—a title it would keep for a long time. As I climbed into bed, I felt both exhausted and exhilarated—ready for whatever the next day in Athens would bring.
Day Three – A Different Kind of Exploration
The next day was my last full day in Athens. Since I had already visited the seven major archaeological sites—along with a couple of major museums—I felt like taking things a bit easier. No more racing between ruins with my pedometer having a nervous breakdown. Instead, Day Three would be a leisurely city walk, rounded out by one final hike up one of Athens’ great hills.
Athens from the Acropolis hill
Athens, after all, is a city built on hills as much as around them. The most famous, of course, is the Acropolis—but two others rise prominently from the urban landscape as well. To the southwest sits Philopappos Hill, topped by the impressive Philopappos Monument, while further northeast stands Lycabettus Hill, the tallest of the three, crowned by a small whitewashed chapel visible from nearly anywhere in the city. For today’s adventure, I decided to set my sights on Philopappos.
But before heading toward its green slopes and winding footpaths, I wanted to explore some of Athens’ more modern landmarks—its neoclassical heart.
A Leisurely Morning in Modern Athens
I began my morning stroll toward the Hellenic Parliament, one of Athens’ most recognizable and symbolically important buildings. Though it’s relatively modern by local standards—completed in 1843 as the royal palace of King Otto—it still carries itself with an understated authority. Its long, symmetrical façade and the colonnaded front entrance feel like a respectful nod to the city’s ancient DNA.
The Hellenic Parliament (former Old Royal Palace) on Syntagma Square
In front of the parliament building I came across one of the Evzones—the elite Presidential Guard—standing at his post in the iconic blue-and-white guard shelter (known as a “phroura” or sentry box). Their traditional uniform is striking with a red feathered cap, a white fustanella kilt with 400 pleats symbolizing the 400 years of Ottoman rule, embroidered vest, white leggings (perahan), and tsarouchia (pom-pommed shoes).
An Evzone of the Presidential Guard stands in solemn vigil before the Tomb of the Unknown Soldier in Syntagma Square, Athens.
Witnessing such a meticulously preserved tradition right in the heart of the city made me notice something else too: Athens doesn’t just hold on to its past in ceremonies and uniforms—it does so in stone. As I continued walking, I realized that even its “modern” architecture is threaded with echoes of antiquity. Columns, pediments, and careful symmetry aren’t merely stylistic flourishes here; they feel like a natural continuation of the city’s identity.
The Academy of Athens designed by Theophil Hansen in the 1870s–1880s
A short walk away, the neoclassical style becomes even more striking. Buildings like the National Archaeological Museum and the Academy of Athens show just how willingly the city embraced its ancestral aesthetic.
Where Modern Stones Wear Ancient Shapes
The Academy, especially, looks like a temple that simply decided to time-travel into the 19th century—complete with Ionic columns, a sculpted pediment, and statues of Athena and Apollo standing guard from atop tall, elegant pillars. It feels deliberate, almost defiant: a country reclaiming its heritage after centuries of Ottoman rule, rebuilding its identity not with glass and steel but with marble, myth, and memory.
The polychrome frieze and sculpted figures embodying the Academy’s dedication to science, arts, and the enduring legacy of Hellenic culture
Yet the closer you look, the more the building reveals itself as something more than a neoclassical homage. The pediment above the entrance depicts the birth of Athena, rendered in a beautifully balanced composition that echoes ancient temple sculpture without ever pretending to be ancient itself. The figures—gods, goddesses, and divine attendants—are frozen in that solemn, harmonious moment when the goddess of wisdom emerges fully formed, the centerpiece of the scene. Along the façade, traces of soft polychromy survive, giving hints of how vibrantly such sculptures once looked in antiquity.
Athena Promachos, guardian of wisdom and war, stands eternal atop the left column of the Academy of Athens, her spear and shield raised against the sky
Flanking the staircase, the tall columns carrying Athena and Apollo add a sense of ceremonial grandeur. Athena stands poised with spear and shield, the eternal protector of the city, while Apollo holds his lyre, patron of the arts—together embodying exactly what the Academy aspired to cultivate: knowledge, creativity, and the spirit of Hellenic culture. With the Greek flag waving above it all, the building becomes almost symbolic, a physical assertion that modern Greece chose to root its future in the language of its past.
The Quiet Hill Overlooking Athens
I then left behind the neoclassical district and marched across towards one of Athens’ hills again. I wanted to end my Athenian journey somewhere a little quieter—somewhere above the noise, away from the crowds, with a final wide-angle look at the city I had just spent days exploring from the inside out. So I turned southwest, toward the green rise of Philopappos Hill.
Passing by the Acropolis crowds on my way to Philopappos
Philopappos Hill—one of the trio that shapes Athens’ skyline—sits right across from the Acropolis, close enough to share its breeze but far enough to escape its chaos. Unlike the marble crown across the way, this hill is free to climb, covered in wandering footpaths, shade trees, and pockets of silence. The ancient Athenians knew it well too: scattered across the slopes are remnants of old roads, meeting spots, sanctuaries, and caves woven into philosophical lore.
Caves and tranquil trails
My first stop was Socrates’ Prison, a small stone-cut chamber carved directly into the bedrock. Historically, unconfirmed whether Socrates was ever held here, but tradition is stubborn and the place has become a symbolic site connected to his final days. One could imagine the philosopher’s calm acceptance of his fate—the cup of hemlock, the arguments about the immortality of the soul, the devotion of his students gathering around him as he turned his own death into one last lesson. Whether or not this was truly his cell, the atmosphere carried the weight of his story: a reminder that Athens wasn’t only a city of temples, but a city of ideas, lived and died for.
Socrates’ Prison on Philopappos Hill
Further up the slope I came upon the Fountain of the Pnyx—or at least, what remains of it. Today it’s sealed behind a metal door, but historically it was part of a larger waterworks system connected to the ancient political gathering place of the Pnyx, where Athenian democracy was literally spoken into existence. The fountain once supplied water to the area, serving the citizens who met here to debate, vote, and argue their way into political history.
The entrance to the Fountain of the Pnyx was unfortunately closed
Past the cave, the path softened into a leafy park-like trail—palm fronds, pines, shrubs, and that bright Mediterranean glow reflecting off everything. After two days of battling crowds at the Acropolis, Agora, and every other major site, this felt like discovering Athens’ hidden breathing room. I walked slowly, enjoying the shade and the breeze, letting the soreness in my legs spread out and settle.
A Final Gaze Over a Legendary City
The final ascent brought me to the summit, crowned by the Philopappos Monument, the grand Hellenistic mausoleum dedicated to Gaius Julius Antiochus Epiphanes Philopappos. The same monument I had seen the previous day from the Acropolis hill.
Enjoying the tranquility up to the summit
Today however, the tables were turned and I beheld the perfect, unobstructed view of the Acropolis. From this angle the entire complex stands proudly: the Parthenon blazing in the sun, the Erechtheion’s caryatids in silhouette, and the long procession of tourists crawling up the marble steps. I finally got my perfect view and shots of the legendary ancient ruins completing my checklist of Athens. I lingered for a while, taking in the panorama. It felt like a fitting farewell.
The crown jewel photo—The Acropolis in it’s full splendor, with Lycabettus Hill behind
After descending the hill, fatigue finally hit me. Rather than push myself further, I returned to the hostel and spent the rest of the evening resting, sorting through all the photos and planning the next leg of my journey. This was my final night in Athens, and although I didn’t do anything noteworthy after the hike, I didn’t need to. The city had given me more than enough.
The following morning, I would board a bus to Delphi—leaving the sprawling metropolis behind in exchange for mountains, myths, and the whispers of the ancient oracle. My odyssey was far from over.
